All Claude Lorrain Oil Paintings
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Claude Lorrain Sunset Sketchbook (mk17) oil painting


Sunset Sketchbook (mk17)
Painting ID::  22185 		Artist: Claude Lorrain
Painting: Sunset Sketchbook (mk17)
Introduction: fol 4v Pen and ink.Statens Konstmuseet,Stockholm 18.5 x 12.9 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Trees (mk17) oil painting


Trees (mk17)
Painting ID::  22186 		Artist: Claude Lorrain
Painting: Trees (mk17)
Introduction: c 1640 Chalk drawing and ink Wash Graphische Sammlung Albertina,Vienna 26.3 x 19.5 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain View from Monte Mario (mk17) oil painting


View from Monte Mario (mk17)
Painting ID::  22187 		Artist: Claude Lorrain
Painting: View from Monte Mario (mk17)
Introduction: c 1640 Brush drawing British Museum,London 18.5 x 26.8 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Mount Soratte (mk17) oil painting


Mount Soratte (mk17)
Painting ID::  22188 		Artist: Claude Lorrain
Painting: Mount Soratte (mk17)
Introduction: 1640 Chalk drawing and ink Wash;sketch in sanguine British Museum,London 20 x 33.1 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Two Female Figures (mk17) oil painting


Two Female Figures (mk17)
Painting ID::  22189 		Artist: Claude Lorrain
Painting: Two Female Figures (mk17)
Introduction: 1640/50 Pen drawing and Wash,heightened with white National Gallery of Art,Washington 16.6 x 13.3 cm
   
   
     

 

 

 
 

 

 

 
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     Check All Claude Lorrain's Paintings Here!
     French 1600-1682 Claude Lorrain Galleries In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition. In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography. Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno). John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart" . Related Artists to Claude Lorrain : | Regis-Francois Gignoux | Lyon, Corneille de | Charles Jervas | Orazio Riminaldi | RICCI, Sebastiano |

 

 

 
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